Productions

ElephantJuice

proudly presents:

LUNCH with VINCENT RIVER

Two fantastic plays for the price of one!

ElephantJuice invites you to join us for an evening of riveting theatre by two of Britain’s most revered playwrights, the startlingly theatrical Steven Berkoff (Harry’s Christmas, Shakespeare’s Villains, The Secret Love Life of Ophelia) and the diabolically clever Philip Ridley (The Pitchfork Disney, Mercury Fur).

 In Berkoff’s Lunch, two people meet on a beach. One begins to seduce the other. But which one? As always, Berkoff’s hugely theatrical style and astonishing verbal fireworks will stun and amaze as we plunge headlong towards a climax that will haunt you for days.

 Philip Ridley’s Vincent River is the suspenseful tale of a mother who confronts the last person to see her son alive. By turns charming, funny and tragically violent, Vincent River will have your heart in your mouth as you share Anita and Davey’s journey towards the terrifying truth.

 Directed by Brisbane theatre veteran James Kable and featuring virtuoso performances by four of Brisbane’s most in-demand actors, LUNCH with VINCENT RIVER promises to be a theatrical event like no other.

WHERE:                   The Studio, Metro Arts, 109 Edward Street Brisbane

WHEN:                     Tuesday to Saturday at 7:30 pm from Nov 23rd to Dec 11th

HOW MUCH:           $25 and $15 for concessions and groups of ten or more

                                     $5 preview on November 23rd and 24th

                                                        Tickets cash only at the venue 

Smell it. Taste it. See it.

What the critics have said:

Sue Gough, Courier-Mail

(Lunch is) ' ... like Harold Pinter on ice ... explosive and enigmatic ... '

(Vincent River is) ' a powerful ... play ... awash with tension ... the play rewards you ... with its violent pay-off.'

Miss Yoneyama, Scene Magazine:

'The verbal fireworks of English playwright Steven Berkoff's Lunch lit up the stage in James Kable's production of this loaded short play.  Both actors had a background in physical theatre, but were adept at handling the fire put in their mouths by the script, which was cuttingly funny and also quite disturbing. A "black romance" indeed.'